Skip to main content

Creating a Mobile Independent Artist Business - Part 11: Pricing your art

Now that you have options for where to sell your art or make money from it (Part A and Part B), the question is how much do you charge for your art? Working out prices is one of the first questions new artists moving into a career often ask.

There are many different approaches to pricing your art with many different factors to take into account. In this article I'll look at, what I think, is the simplest method to get you started with setting your prices from the point of view of running a business and earning enough to live on.


How much does your life cost?


Step one in working out how to price your art is working out what all you monthly and yearly expenses cost you. Find out all your monthly and annual expenses (distribute the annual ones evenly into your monthly expenses). Include everything you purchase regularly not just things related to creating your art. i.e. Mortagage Payments/Rent, Electricity bills, phone bills, groceries, Drinks at the end of the week... you name it, if it's an ongoing expense include it.

Add up everything you spend over a year and divide by twelve to get the cost of you life per month. This is how much money you need to make to break even every month with no savings (unless you've factored in an amount for monthly savings into your expenses).


How much do you want to earn a year?


You know how much you need to earn from the previous section but how much do you want to earn every year? Before you start throwing out six zero figures, the higher the number you throw out there the harder you're going to have to work to achieve it.

A good base income is the amount you need to earn per month multiplied by two. Essentially a 100% mark up on your life. Similar  to how many retailers put a 100% mark up on every product they sell. Doing this means in one month you're effectively making enough money to cover all your expenses for two months.

Once you've tried calculating your prices based on a 100% mark up you can calculate alternate price points by raising or reducing the mark up to see how it affects your pricing.


How much of your Art do you need to sell?


Specifically, how much of your art will you need to sell per month in order to make the amount of money you want to earn per month? Take the most common style of artwork you make, for example an average sized painting. How many of those can you paint in a month? To keep the math easy let's say ten. You can make ten of those a month.

Now take how much you want to earn per month and divide it by ten to get the individual price of those artworks. You'll need to sell ten pieces of art at that price to make the amount you want to earn per month.

The question then becomes, can you consistently make ten pieces of art in a month? If you can, great. If not you'll need to reduce that number to however many you think you can realistically make a month and do the division again.

Once you have a price does that number seem realistic based on the kind of art you make? This is where a bit of research of your market helps.


What prices are other people selling similar art for?


Look around for other works of similar size, medium and style to yours. Try to get a broad cross section of prices. Probably best to exclude extemely well known artists from your research as their pricing will likely factor in 'investment' value, which will really distort their pricing in comparison to your calculations.

Try to find an average price and compare that to what you've calculated so far. If it's about the same figure you're doing well. If it's higher than your calculation that's quite promising. You might even consider either raising your prices (for a higher montly income) and/or selling fewer per month at the higher price (for the same monthly income).

If it's lower than your price that could be an issue. You'll need to consider whether dropping your prices and making more art per month is an option or not. You may even have to consider dropping how much you want to make per month (try to avoid going any less than a 100% mark up though).


But I'm selling _______, how do I price that?


It really doesn't matter what kind of artwork or art service you're selling, this pricing model applies across the board as a good starting point. You need to know how much to sell of whatever kind of art your selling, whether it be original paintings, digital prints, greeting cards or an art service etc. in order to set a sales goal for each month.

Making your sales goal per month will allow you to earn a decent living from your art. If you sell more, that's fantastic. If you sell consistenly less, you either need to work harder at selling or recalculate your numbers to keep your business running successfully.


But I sell more than one type of art?


This is where your pricing research will be really useful. You can still do the same math for each individual product or service. Find out how many of each product you'll need to sell in order to make your monthly sales target. Then factor in different quantities of each product you're going to sell each month in order to make up your total sales goal for the month.

For example, say you sell art cards, small artwork studies and large artworks. To meet your monthly sales goal of $100.00 (I'm keeping the numbers small and simple just for this example) you need to sell either:

  • 100 artcards @ $1.00 each
  • 10 artwork studies @ $10.00 each or,
  • 2 large artworks @ $50.00 each

Since you have three very different items you can mix up how many you sell of each based on how many of each you think you can produce per month so long as the total amount matches your sales goal.

For my example your sales goals could be:

  • 1 large artwork per month
  • 2 artwork studies and,
  • 30 art cards 

Altogether totalling $100 per month. The actual amounts of each product you sell could also be tied to the popularity of a specific item, once you start getting an understanding of what is selling best. You may choose to make more of a popularly selling item because you know there is a better chance of making a sale.


But my work takes longer than a month to make?


No problem. To calculate pricing you'll need to add up the sales goals of however many months it takes you to make an artwork and this becomes the base price for that artwork. If it looks too high you're going to either need to work quicker or make and sell more than one at a time.

When it comes to selling the artwork, you'll need to project the sale forward into your future sales goals. That way you're not behind whilst waiting to make a sale for a period, you're ahead on sales goals for future months.

To explain, every time you sell an artwork that takes months to make, you spread that amount across the sales goals of future months until it no longer covers the sales goals of that month. The first month that it doesn't cover the sales goal, is the month that you know you'll need to sell another artwork in order to make your living for the next few months.

Ideally, the time it takes to make your artwork is less than the time it takes before you'll need to make another sale, thus you'll earn a living and keep up with demand.


Things to consider


As I said at the beginning of this article there are many different methods to price your art. My method should really only be a starting point. The main advantage is that this method assesses your life and helps you to understand how much money you'll need to make in order to earn a full time and relatively comfortable living.

Many other methods often focus on individual artworks and don't seem to have any connection to your business as a whole.

However my suggested method does have a few short falls that should be considered if you're not getting the sales and meeting your sales goals, including:

  • The market you're selling to. The prices you command on eBay are going to be very different to those you can potentially earn from a real world gallery for the exact same piece of art. If your prices are too high for the market you're trying to sell to, you won't get any sales.
     
  • Wholesale versus Retail pricing. The prices you calculate in my method are really wholesale prices. These are the prices you must sell your work at and still make a profit. To get your retail pricing you should, at minimum, double your wholesale price. This then gives you some leway for offering discounts whilst still always making a profit.
     
  • This pricing model does not take into account the investment value of your work, if your art is seen as an investment by your collectors or you want it to be seen as an investment purchase.
     
  • The emotional demand and/or subject of an artwork is also not considered. You may create art that really pulls at the heart strings for many viewers or is of subject matter that is in high demand. Artworks like this may command higher prices then similarly sized works that have less emotional impact or are of less popular subject matter.
     
---o ---o--- o---

When it comes to art, pricing can be a very personal thing. If you just want to be practical or need somewhere to start then the above method works well. Once you start selling you'll get a feel for what sells and what doesn't and how much you can price things at.

Remember that, in the art world, the cheapest pricing isn't always the best pricing to go with. Higher pricing is often associated with quality and/or prestige. Try to be consistent with your pricing and always remember to price with your overall sales goals in mind.


Comments

Buy Gifts and Apparel featuring art by TET.

Popular posts from this blog

Is AI Art 'Art'? The Say NO to AI Art Movement, and Why Human Artists Will Adapt

AI Art No T-Shirt by TET Also available on other items . Right now there is a big debate over not just whether AI art is 'art' but whether AI's are actually ripping off the work of actual human artists, without their consent, to create their images - particularly images 'in the style of' specific artists. From my own observations this debate started to get more traction when artist's signatures began appearing in the output of AI Art  image generators. Is It Art? Cool Froyd the Cat Sketch by TET. My style is very much influenced by classic Disney and WB character styles. To get some clarity on how real human artists work (of which I am one)... we, that is all of us... take influences from the art that has come before. i.e. whatever artists we like, have studied, seen etc. we are influenced by. It shows up in our work, intentionally or not. If you really study my own cartoony art style you'll see I'm heavily influenced by early Disney and Warner Bros cart...

Jimmy Barnes, Working Class Man 40th Aniversary Tour - Barossa Valley, Peter Lehmann Wines

D espite being in the middle of Summer, and experiencing some record temperatures across the state, we got a perfect day for the South Aussie leg of Jimmy Barnes' Working Class Man 40th Aniversay Tour. Lightly overcast. Almost no chance of rain. The cloud cover taking all the edge out of the sun, which was still quite fierce during the brief moments when it did break through the clouds for a little while. Guest artists supporting the show included, Jon Rooney, Kate Ceberano, Ian Moss, and Ice House.  Unfortunately, while my partner and I had every intention of being at the concert  when the show actually started, so did quite a lot of people. We didn't quite anticipate the traffic getting into the venue, Peter Lehmann Wines, Barossa Valley, and we certainly didn't expect the 5-10 minute hike from the carpark to the concert area itself. Kate Ceberano By the time we found our seats, Kate Ceberano was already part way through her set. Prior to this concert, I certainly knew w...

James Gunn's Social Media Monkeys Joke Was a Highlight of His Superman Movie For Me

B efore James Gunn's Superman Movie was released there was a whole rumor going around that the movie would feature monkeys on computers trolling Superman's social media, sparking much outrage. #supersh*t. I didn't know this was even a thing until just prior to writing this article. I did a search to see if anyone had posted a clip of the monkeys scene from the movie and got pages of discourse featuring videos and articles prior to the film. Most of it from Gunn detractors (let's say) seeing it as some kind of childish swipe at them... well not them specifically but, you know, those other people who have every right to hate on anything sight unseen. Anyway, I'm not going to give even one such example a link or air because it's kind of sad watching someone devote so much commentary to a throw away gag that is absolutely a nod to James Gunn's Superman trolls.  The whole reason this post exists, is to say I loved the joke, because fourteen years ago, and I...

Bruce, South Australia - A Forgotten Aussie Town with Spectacular Landscape Views and Potential

The Bruce Railway Station. Now a private residence. V isiting the almost forgotten town of Bruce reminds me of visiting Silverton back in 2007, except Silverton has been revived into a kind of arts town with a very famous pub. Bruce, on the other hand seems a little too spread out, and a bit too out of the way to make a similar 'arts' kind of revival. Bruce's Pub appears to be an art studio with signs of restoration work in progress. The main part of town appears to be the Bruce railway station (now a private residence) and a pub, also privately owned and possibly was, or still is, and artist studio. Other buildings and homesteads are set fairly wide apart, and are mostly privately owned homes. You don't get much sense of being in a town as such. I'm told there are approximately 14 local residents/families? Once earmarked to be a commercial centre, Bruce fell by the wayside after successive floods and drought in its early years. Obviously the railway line is no lo...

The Lego Man - He's got all that!

Who would have thought that owning one of the worlds largest, private Lego collections could take you so far. Tom Lucieer of Angaston, South Australia, not only has met the Queen (of England) but is a frequent guest of her majesty and family when they are in Australia. He's also met Prince Charles, Lady Diana and Camila Parker-Bowles. Not only that, he grew up with TV Vet, Dr Harry, and is a friend of the Irwin family (yes, that's Steve Irwin's family). Tom will happily tell you all this as part of the guided tour of his collection, which, aside from Lego, includes much railway memorabilia and colourful anecdotes about days gone by, his achievements and more. Frequently he will finish each particular monologue with the phrase, "Have you got that?", just to check that he hasn't confused you because, as he points out, his display and the stories behind it are a lot to take in at once. In the photo you can see Tom holding a special award, which I think is for bei...

Painting Whimsical Cats (and probably other stuff) Again After Almost a Decade Away From Traditional Art

Blue Sky, Butterfly, and JAC by TET Acrylic on Canvas. WIP of a New Whimsical Cat Painting by TET. O ver the Christmas and New Year holidays I spent a lot of my time reflecting on where I'm at as an artist and content creator, torn between the need to at least make some kind of regular income, and the need to just create art. Possibly controversially, while I am an early adopter of generative image and video AI creations, and would say they are an art form, they're not a very fulfilling art form for myself. A useful tool, yes, but even when used with my own art, they're more interesting than anything I would stand by and say 'that was a satisfying creative journey' I just made. Creating with generative AI is more like being a director of a film, where all the actual art is being done by everyone else, but you get a say in the direction and output. It's still a creative endeavor but it's a very hands off, upper management form of creativity (making a somewh...

Whyalla Foreshore Steam Train Found!

Road Trip Day 12: 3rd June 2007 Whist visiting the Mt Laura Homestead Museum, Rose and I spotted this Steam Locomotive - the only one in the museum - and thought just maybe it was the one I remember playing on at the foreshore as a child. On closer inspection of the information board we were amazed to learn that it is in fact the very same steam engine! I was even more surprised to learn that this locomotive is more than 100 years old (I bet it didn't get a certificate from the Queen). Bought new by BHP in 1891 it was used to cart ore along the tramway between Iron Knob and Whyalla. It has a fairly busy history but the key dates for me are that it was placed on the Whyalla foreshore in 1962 where it remained until 1983 when it was moved to the museum. Back then it was all painted black rather than green as you see in the photo. In fact it was the green paint that made me think it couldn't be the same train at first. Not being able to find any trace of where this train stood on...